This sport is currently in season at all levels of competition. It’s time for my scoop on hoops.
The sport of basketball is a straightforward target game. The goal is to put the 9-inch ball into a metal circle or hoop that measures 18 inches in diameter and stands 10 feet above the playing surface. One may do so from any distance, close range (slam dunk or lay-up) to many feet away. A shot that goes through the hoop typically earns one’s team two points. But one may earn three points instead of merely two for any shot drained from 19.75 feet in a high school or women’s NCAA game, 20.5 feet in a women’s professional (WNBA) game, 20.75 feet in a men’s college game, 22.15 feet in international (e.g., Olympic) competition, or 22-23.75 feet at the men’s professional level (the NBA distance varying from closer at the baseline to farther at the top of the key). The last form of scoring is one point for each free throw made—shot without interference from a distance of 15 feet from the basket.
The five players on a basketball court play designated positions and roles. They are specialists in how they place and move themselves, what skills they emphasize (e.g., dribbling, rebounding, passing), and how they interact with their teammates in the flow of the game. Essentially, however, they all aim for that same target and score accordingly. This task may be perceived as easy given that basketball players succeed in putting the ball into the basket a higher proportion of the time per contest than do their counterparts score in other major sports. Of course, it’s not entirely simple.
Part of the challenge comes from the fact that players seek to hit the target in the face of intense opposition. An equal number of players from the opposing team strive tenaciously to steal the ball, block one’s path, block a shot, distract, disrupt, deflect, and otherwise interfere with one’s progress toward the goal. If you fancy yourself a good shooter of a basketball, try doing so against some of the tallest human beings on the planet. Those somewhat less tall may have awesome quickness and/or leaping ability. And elite basketball players tend to be wiry strong, fluidly agile, and as athletically gifted as participants in any sport. They present formidable obstacles to scoring.
Time limits complicate matters. Players have deadlines within which to launch a shot (that at least draws iron—i.e., touches the rim of the basket). The shot clock expires in 30 seconds in men’s college games, 30 seconds in women’s college games, and 24 seconds in NBA, WNBA, and international competition. (Only seven states currently require a shot clock of either 30 or 35 seconds in high school games.) These physical and time pressures can wreak havoc with one’s shooting accuracy. Only the free throw, as its name suggests, is spared such potential interference (although a player officially has only ten seconds to take such a shot).
What secondary targets exist in the game of basketball? Well, player roles overlap, but typically positions and duties line up as follows:
1) Point guard: On offense, he strives to dribble the ball down the court with an eye toward passing it to another player either close to the basket or wide open for an outside shot. A good point guard is adept at bounce passes, skip passes (in the air across the court), and alley-oop passes (lobs near the rim of the basket that may be caught and slam dunked by a teammate). Taking a long shot or penetrating toward the basket for a shorter one is certainly an option. Defensively, the point guard targets the ball, trying to knock it loose from an opposing ball handler, intercept a pass, deflect a shot or pass, etc. The point guard has primary responsibility for receiving outlet passes from rebounding teammates, leading fast breaks, signaling set plays and defenses to his team, and serving as the “quarterback” on the court.
2) Shooting guard: As befits her title, the #2 guard works to be a dead-eye outside shooter from several different locations on the floor, hopefully some of them three-point shots. But she also has secondary responsibility for ball-handling and passing the ball within the flow of the offense. She penetrates to the hoop when an opening shows itself, and gets back down the court quickly during defensive transitions and fast break opportunities.
3) Small forward: The shooting forward likes to have medium-range and three-point jump shots within his skill set, along with slashing moves to the basket and the prowess needed for offensive put-backs. He must be ready to rebound, offensively or defensively, with an eye toward passing or shooting as the situation warrants. Not only is the basket a target, of course; one focuses on the ball on defense with an eye toward stealing it. Even one’s opposing player may be considered a target for one’s attention, particularly in a man-to-man defense. Playing zone defense, one’s target is a region to cover and any opposing player who may venture into it.
4) Power forward: Usually the second tallest, strongest, heaviest player on a squad, the PF needs an inside game: a repertoire of post moves, short shots, and rebounding skills. She must have a strong will and fearless approach to banging into opposing players in this supposedly non-contact sport. Teammates and coaches appreciate leaping and shot-blocking skills, as well. An interior player, the power forward needs to be able to pass out to an open shooter or down-court to a teammate in transition. Again, the basket is the most valuable, stationary target, but moving targets abound in basketball, too.
5) Center: Normally the tallest player on a team plays the post position, weaving in and out of the key near the basket on offense in anticipation of a pass for a short shot or dunk. He would do well to be able to flash out to the high post, as well, in order to take a medium-range jump shot or pass to a teammate cutting to the basket. The center tries to use his height, wingspan, and bulk to thwart adversaries’ attempts at lay-ups and alley-oop passes, block out for rebounds, and pass over the outstretched arms of shorter players. When his team employs a full-court press, it is usually the center that runs down court to stand near the basket as the last line of defense should the opposition break the press and attack on the run.
The aforementioned roles, as mentioned, may blur, and the positions themselves are far from set in stone; when occasions warranted, Magic Johnson spent time playing all five positions for the Los Angeles Lakers. Going for the ball defensively, or shooting to score offensively, may sometimes be best accomplished by playing four relatively short and quick players (guards) and only one big man (center or forward). Some teams lack a stereotypical center and opt for three forwards. Variations on the theme give opposing players and coaches more to think about and defend against.
The constant, flowing interaction among basketball players resembles the mass of runners and traders that fill the floor of the New York Stock Exchange—alert, vigilant, quick-thinking, and actively decisive. Individuals swirl among friends and foes following orders and set plays, making split-second alterations, improvising as circumstances warrant, and flowing from target to target. A jazz ensemble, though typically stationary, resembles a basketball team in that its members blend together collectively and improvise individually. If team chemistry is right, a team of basketball players can make beautiful “music” together.
There is one element of basketball that should, in theory, be characterized by a high degree of accuracy: the free throw. Game action stops. Time pressures subside (except for the seldom-enforced ten-second limit to shoot). The shooter stands at a line 15 feet from the basket, facing the hoop straight on. The benefits of practice are strong. During one day of his team’s after-practice routines in 1975, Canton, NY high school player, Hal Cohen, sank 598 consecutive free throws. That proves that a repetitive motion can be grooved to hit the target with powerful consistency. But why didn’t Hal repeat his fete while playing in college, for Syracuse University? Game conditions can be quite disruptive to the foul shooting process. The player may arrive at the free throw line short of breath, with heart pounding, due to the exertions of the game. The pressure to make the shot, to help one’s team win, can be intense. Spectators may test the boundaries of good sportsmanship by yelling, making noises, booing, waving their arms behind the basket in perceptually distorting ways, etc. I once saw Syracuse students raise a life-size photograph of a bikini-clad beauty directly behind the basket just as a player was about to launch his shots; he missed both. A Duke student who stood and danced wearing nothing but a skimpy Speedo swimsuit had the same effect (and became a YouTube sensation). Even opposing players can get in on the act, stepping up behind a shooter to whisper some snide remark, or trading places with one another across the lane just before the player gets the ball to take aim.
So, how accurate have the best players been at this clearly targeted aspect of the sport of basketball? The record for most consecutive free throws ever made in game situations was set by none other than the legendary John Wooden during the span 1934-36; he made 138 in a row. Close behind was female record-holder, Deb Remmerde, an NAIA player, who canned 133 free throws in succession in 2005-6. The modern NCAA men’s record is held by Darnell Archey of Butler from 2000-2003, during which he made 85 straight. The women’s NCAA Division I record is in the hands of Ginny Doyle who made 66 straight for Richmond during 1990-92. In the National Basketball Association (NBA), the record was 97 by Michael Williams in 1993. In the Women’s NBA, Eva Nemcova made 66 in a row during the 1999-2000 season. Percentage-wise, Eva set the one-season standard of 98.4%; Stacy Frese holds the WNBA career mark of 91.7%. Adrienne Squire of Penn State made 96.4 % of her free throws during her collegiate career; Blake Ahearn of Missouri State set the men’s standard by sinking 94.6% of his shots at the charity stripe. In the NBA, the career honor goes to Mark Price (90.39%) while Calvin Murphy holds the one-year standard of 95.8%.
Most basketball fans know that Wilt Chamberlain once scored 100 points in a professional game (in 1962). He holds the NBA single-season record for field goal percentage at 72.7%; another giant, Artis Gilmore, made 59.9% of his shots from the field across his lengthy NBA career. Most would not be surprised to know that Michael Jordan scored 10 or more points in a game 866 times between 1986 and 2001. The ball, half the diameter of its target, can be put through the basket. But don’t let sparkling statistics such as these mislead you into believing that basketball is a relatively easy game. It offers a kaleidoscope of target-oriented action. Players run and jump, pass and shoot, block and steal, in dynamic team interaction. The sport demands an awesome blend of athleticism, fitness, and mental agility to succeed in battling opponents and hitting the targets—whether baskets or teammates—a high percentage of the time.